My response to: The Joy of Vinyl Records proposed buying formula

The YouTube channel The Joy of Vinyl Records recently posted a video where he offered the following formula for a vinyl stereo system; 40-50 % for speakers, 25 – 30% for the turntable, 25% for amplification, 5 to 10% for an optional phono stage and 5% for accessories.

IMO, it is a given that the higher the budget, the easier it will be to meet this formula. When a tight budget is considered, real challenges emerge. Careful and knowledgeable purchases of used gear can greatly reduce expenses but there is inescapable risk with buying ‘pre-owned’ gear. So I’m limiting this to new equipment.

I first have to acknowledge that I have not personally heard these components. I am relying on reviews of these components both by knowledgeable audio equipment reviewers and by those who have brought them and shared their impressions. Yet more often than not, circumstance dictates that reliance anyway.

I greatly value tube amplification for its vocal and acoustic instrument tonality as well as for its sound staging. However, low powered amplification demands compatible speakers. Speaker selection is limited compared to the selection of speakers requiring robust amplification. Typically tube amplification is more expensive than solid state. I’ve reluctantly concluded that when constrained by a tight budget, the only way to get around this conundrum is with hybrid amplification. Specifically, tube pre-amplification and Class D power amplification.

While I agree that speakers should comprise the greatest percentage of a budget, I consider $500 the minimum that can be budgeted on a turntable without the need to soon upgrade. I favor the Fluance RT85N Turntable with Nagaoka MP-110 Cartridge @ $500.00. It offers a combination of elements that appeal to me. YMMV. The RT85N does not include an inbuilt phono stage. Overall, I consider that a positive. The RT85N’s $500. price determines the budget, as $500 ÷ 3 (30%) = $167 per every 10%. So in this case, we have a budget of $1,670.00 

I consider that to be the minimum cost of components that can satisfy the entry-level audiophile label. Yes, a simple table radio can satisfy but not likely to do so in the long run for those interested in a Vinyl audio system that has no obvious negatives.

So 50% on speakers = $835.00 Currently, the least expensive, quality full range speaker set-up I know of is the ELAC Debut 3.0 DB63-BK Bookshelf speakers @ $450.00 + Vera-Fi Audio’s Vanguard Caldera – 10″ Active Subwoofer @ $199.00 That combo = $650.00 Leaving $185.00 to add to amplification and accessories.

The least expensive, high quality amplification capable of driving the ELAC speakers is IMO, the new 3E A7 Amplifier @ $274.00. It can easily drive the ELAC bookshelf speakers. As the 3E amp has no sub or pre out, the Sub’s High Speaker connections are used. That does require a bit more speaker cabling but many audiophiles consider it to be the most superior connection possible, so there’s that. The 3E is a Class D amplifier and happily, it allows for volume bypass, enabling the use of a tube pre-amp to gain the benefits that tube pre-amplification provides. The challenge here is that tube pre-amps are typically too expensive for a budget system. Chinese budget components can be surprisingly good and in this case are a necessity for a budget system. Many tube aficionados maintain that Directly Heated Tube Amplification provides the most superior fidelity. Again, selection is typically limited and expensive. However, Chinese manufacturer Nobsound offers a little gem, the E6 Direct Heated Vacuum Tube Class A Stereo Audio Pre-Amplifier @ $65.00… It combined with the 3E A7 combines the tonality and sound-staging of tubes with the clarity, resolution and bass control of Class D amplification. Note that the quality control of Chinese tubes can be lacking, so be prepared to request an exchange from amazon if the fidelity is lacking. Buyers of the E6 whose tubes are fine have reported themselves to be very happy with their E6. Together the A7 and E6 = $339.00 As 25% of $1670.00 = $417.50 we remain within the formula.

In addition, Soviet tubes are reportedly an even superior upgrade in fidelity for the E6. BTW, the A7 amp also allows easily upgrading of its OpAmps. Either with discrete OpAmps or with paralleled OpAmps.

Note that there is no control included in these two components. That IMO is not a deal breaker, since with records, all the tracks typically being recorded at a similar volume, the adjustment of volume tends to only be needed at the start of a record.

Moving on, I chose the U-Turn Audio – Pluto 2 Phono Preamp @ $109.00 for three reasons; in keeping with a tight budget it is highly affordable, it’s highly rated on amazon by buyers and is powered by a 9V power supply. As clean power is especially important in clean amplification of very low signals, the Pluto’s 9V power supply allows a future upgrade with an iFi iPower X power supply.

OK, that establishes the system components, which (surprise!) add up to $1676.50.00 leaving… nothing for accessories…

And… here enters the dirty little secret in audio; accessories add up quickly but can make the difference between ho-hum and wow… speaker stands and cabling are necessary accessories. Isolation of the gear enables optimization of the system’s fidelity. Vinyl requires regular deep cleaning of the records and cartridge, an ongoing expense with the additional ongoing expense… being the purchasing of Vinyl records. So… compared to say golf… audio is a less expensive pursuit. Compared to fishing with a cane pole and a few beers… audio is insanely expensive.

Yes, we can cut back on the cost of components but in the long run are likely to spend more when we later upgrade from that $249.00 turntable to a $500. one. Bitter experience has taught me we are better served by exercising some delayed gratification. Getting clear on just what our priorities actually consist allows us to save until we have the necessary funds. Waiting for holiday sales and careful purchase of used gear can help reduce expenses.

Moral of the story; no matter what amount you budget, over time necessity will require more.

“There are no (perfect) ‘solutions’, only trade-offs” The wisdom of Thomas Sowell 

Relevant aphorism; you can have only two of the three; fast, cheap or quality… 

If you choose fast and cheap, the quality will suffer. 

If you choose cheap and quality, selection will be limited and slower to obtain, perhaps much slower. 

If you choose fast and quality, it’s going to cost more, perhaps much more.

This is an essential condition of reality… accepting reality is necessary for growth into maturity. We all know that many ‘adults’ have never grown up. Invariably, those who’ve refused to grow up exhibit some particular aspect(s) of reality they simply don’t accept. A refusal to accept responsibility for their actions is perhaps the most common one. As the ‘flip side’ of acceptance of responsibility is the willingness to be held accountable for our actions. 


 

Important: Component Isolation 

Vibration and heat are the two ‘mortal’ enemies of electronic and mechanical components.

Enthusiasts, entrepreneurs and manufacturers have addressed these issues in a variety of ways. Which ranges from DIY inexpensive to sophisticated commercial offerings. It is a fact that every material has a natural frequency at which it resonates. The most sophisticated engineering combines different materials that offset those resonant frequencies often referred to as ‘constrained layer damping’. I favor such an approach.
Turntables are especially vulnerable to external vibrations and wall mounting a turntable is generally considered the most effective means of isolating a turntable from floor borne vibrations. That may not however be an option for some enthusiasts. Happily, ‘there’s more than one way to skin a cat’.

DiY parts Listed in order of expense:

Moongel Damper Pads  

Hans Beekuyven recommends Moongel damper pads under a bamboo board for an inexpensive, effective platform. I’ve taken that idea and added and substituted HAL’s Grungebuster Dots & Soft Fat Dots (medium size) for the damping pads. The Grungebuster dots decouple & isolate the bamboo board from the shelf. The Soft Fat Dots absorb electronic component’s micro-vibrations.

IsoBlock Silicone Isolation Feet Soft Block 60lb Capacity Durometer 50 (Shore A)

IsoBlock Silicone Isolation Feet Firm Block 150lb Capacity Durometer 60 (Shore A)

Sound Addicted Silicone Isolation Feet: Durometer – 35 (Shore A), Supports up to 165 LBS

BDR – Cones + BDR – LM Disc Carbon Fiber Isolation Pad 

Pro-Ject – Damp-It Damping Feet 

Mapleshade Isoblock Sets 

GEM Dandy Energy Absorbing Equipment Feet durometer 60 (Shore A) capacity 80 lbs per foot.

ISO-BAND BY BBA – TPE ISOLATION SPRINGS

Herbie’s Audio Lab | Home Audio Vibration Control (a variety of items)

Bamboo Cutting Boards

Air-Tite Wooden Drawing Boards various sizes – Plain or metal edge

Agora Acoustics Magic Hexa Audio Anti-Vibration Feet

VBH-1 (Vibration Black Hole) – Vera-Fi Audio LLC 

Funk Firm: Boing Isolation Feet (Fits 1200s, Most Turntables) – 4 Feet – 55 lbs capacity

Alternative DiY construction materials

Resin Impregnated Honeycomb core (½” minimum thickness) 

Self-Adhesive 20″x16″ – 1/8″ Thick Cork Board Roll 

1/4″ x 15”x20” Baltic Birch Plywood Pack

Airlite Core Drawing Board 18” x 24” 

Commercial

Mapleshade Vibration Control System 

Fluance IB40 Turntable Isolation Base *

(“High Mass 10.5 lbs MDF Wood Plinth Platform, height adjustable, silicone rubber isolation feet  and built-in bubble level. Available in Natural Walnut, Piano Black and Piano White finishes.”) 

Reviewing The New MITMAT Family Of Resonance Control Products

Mitmat Footers

Mitmat Foundation II Mat 

Pro-Ject Wallmount It 1 Turntable Wall-Mount Shelf – Black *

I’d choose the Pro-Ject because it allows for neatly routing the Turntable’s cables.

Butcher Block Acoustics DOUBLE B ISOLATION PLATFORMS (Maple or Walnut finish in various sizes)

AUDITE Acoustics | audio isolation products 

Expensive but for those who can afford it worth every penny… 

Cheshire Audio: Audite Acoustics Brij – Isolation Platform Review 

6 moons audiophile aficionado Sarajan Ebaen raves about the effectiveness of Audite’s string suspension

It is entirely possible to DiY a string suspension platform. All that is needed is some imagination and a little bit of skill.

The dimensions below show that the Fluance Platform will fit upon the Pro-Ject Wall mount. 

Dimensions 

Fluance Isolation Base: 2.44H x 17.13W x 14.96”D Fluance

Pro-Ject Wall-Mount:      3.5″H x 18.1″W x 16.3″D

Diy Big Berkey Style Gravity Water Filter System

2-Gallon Food-Grade Plastic Bucket -$5.00 Lowes 

     (Lowe’s sells a 2 gallon gasket lid separately with tear strip (SKU 954440) that fits this bucket) 

2-Gallon White Plastic Bucket Lid – $2.68 Lowes 

High Capacity Nano Gravity Water Purification Filter – $89.95 – amazon

 (2500 Gallon capacity) I use 5 gallons per week of water 4 cooking & drinking  

    At that rate, the Nano Filter will last me 9.6 years…)

Glass Beverage Dispenser, 2 Gallon Capacity -$16.97 – Walmart 

Water Filter Dispenser Counter Stand – $27.00 – amazon

Cost: $141.60 (before shipping & tax) 

Note: a hole must be drilled through the bottom center of the plastic bucket for the filter. 

These are suggestions, your preferences and circumstances may dictate other choices in bucket material, the particular dispenser you like and the stand.

An entry level audiophile music streamer system. Including accessories… for $1,083.00

I’ve been into this hobby since the early 70’s. How about an entry level audiophile music streamer system, including accessories… for $1,083.00?

This is not a system for those who favor detail and/or bass above all. It is a system based in my priorities, within the cost constraints of a budget system for those who are “music first” fans. The opinions expressed are my personal ones, YMMV.

I’ve included links where a simple search might not quickly locate the item.

Electronic Components:

Allo Boss2 Network Music Player w/Nirvana Switching Power Supply$234.00 I like the MoOde audio player because it’s open source and Gapless when used with Qobuz, it’s free w/no fees and now offers bass management. Qobuz does require a modest monthly subscription.

I like Qobuz with its up to 24/192 file rates.

I also like the internet’s Radio Paradise for its CD file rates and that it features lesser known artists. A “DJ-mixed flow of modern & classic rock, world music, electronica, and more – in ultra HiFi sound, with HD slideshow. No fees, subscriptions, or registration required.”

S.M.S.L. A300 Integrated Amplifier $196.00 (165 Watts @ 4ohms and 85 Watts @ 8 Ohms)

Comprehensive Review of the S.M.S.L. A300 Amplifier

Speakers:

Paradigm Monitor SE Atom Bookshelf Speakers – $225.00 a pair in white or black (buyer)“The dynamics and distance I’m now hearing into recording mixes are like nothing I expected. Another thing is the low volume performance is an absolute joy.” Good sound at low volumes is a very good sign of superior engineering.

Note: these need a subwoofer to perform optimally. I recommend the…

Kanto Sub8 Powered Subwoofer – 8” Paper Cone Driver – $249.00 available in 5 colors. This is a sealed subwoofer cabinet, it trades a bit of depth for greater tightness & texture in the bass, which is preferable for music. 3db down at 35Hz which is fine for anything but organ music.

Subtotal component cost: $904.00

Needed Accessories:

Sanus Speaker Stands – $110.00

 Note: as much as possible, avoid power and signal cables running parallel to each other. If necessary, cross at 90 degree angles.

Schiit PYST 6″ RCA interconnect cables$20.00 (connects the Allo to the A300)

Blue Jeans Cable’s Terminated BJC Twelve White Speaker Cable – 12ft – $14.16

Banana Plugs -$9.00

Mediabridge Ultra Series Subwoofer Cable (15ft) – $10.00 (decent quality @ very low prices)

Hudson HiFi Platinum/Silicone Feet – $16.00 (Component isolation, use under electronics and @ speaker-stand interface)

Subtotal: $179.00

TOTAL COST: $1,083.00

Future Upgrades to get the very most performance from the system:

SignalCable Power Cord$109.00

Furman PST-6 Power Station Series Line Conditioner$125.00

iFi AC iPurifier$109.00 each ( 3 is optimum )

If possible, connect the Allo with Supra Cat 8 Ethernet Cable. Adding a JCAT NET Isolator will further improve the cleanliness of the data the Allo receives. If forced to connect with WiFi, Fidelizer Audio’s AirStream Wireless Router will satisfy. Yes, it matters. The purity of the AC power and signal/data being transmitted  = optimum fidelity of whatever equipment is being used.

Notes:

This system is optimized for Acoustic music, for electronica and hiphop and rap you may well want a different and more expensive subwoofer.

Vibration and heat are the mortal enemy of electronics. Vibration ‘muddies’ speaker fidelity. Reducing them improves fidelity. That’s why the recommended feet are suggested.

The more resolving the system, the more obvious the improvement with upgrades.

If you wish to add another source, Schiit Audio offers the SYS, a great little 2-input switch @ $49.00

Speaker positioning is critical.

I like the “Master Set Speaker Placement System” It’s laborious and ideally, a 2 person job but IMO worth it.

Over at audio science review, GuruSan “jokan” offers knowledgeable advice on ‘tuning in’ amplifiers. ‘Tuning in’ the amp’s capacitors and other electronic components by a back and forth tension/relaxation cycle is the purpose of this procedure. Arguably, the same procedure could be applied to the Allo by simply doing so when the Amp is cycled.

“After connecting up the whole system, turn on the amp, press the A button on the remote and do a factory reset as the manual specifies. Play normal music, whatever music you like, the more bandwidth the music has, the more treble and bass it has the better, but no louder than the normal conversation level of people in a quiet room for the first 2-3 hours. Make a point to either firmly remember or write down the volume level number.

Leave all the settings flat, no bass or treble boost, no SDB setting. Direct source only.

Then shut it off by unplugging your amplifier from the electrical supply. It doesn’t matter whether unplugging at the wall or from the back of the amp.

After resting the amplifier for a minimum of 30 minutes … but an hour is probably best. Then plug it back in and turn it back on, leaving it at the same volume as before. Leave it on for 2-3 hours. Continually repeat this process during the day and/or night for about a week of cycling on and off. As you proceed through the process listen attentively, you should hear gradual improvements, though the first cycle of on/off will be the biggest change. The rest are in the micro-details in my experience with my amplifier.

The last big improvement came on day 5 of my ownership. (That was the case for me.) Suddenly everything was in much better focus. Much smaller improvements over the next two days. Results will change by your location *your power in your country is different from mine in Japan.”

By the time your amp is tuned in, so too should most speakers.

Now is the time to apply the MoOde Player’s bass management functionality.

Finally, never forget that your ears and preferences are what counts.

A Budget Near Field System

When I was growing up, frequently playing in our home was either a record on the “record player” (Magnavox!) or a local radio station. Three years ago, I moved back in with my very aged parents to care for them. It’s not an obligation, it’s a privilege.

They were still using an old Sharp SD-EX101 ~ a 2.8MHz 1-bit amplifier Music system that I’d gifted them perhaps 20 years ago. Good for its time, that is for the less demanding but a bit too much of what some call ‘digititis’, it plays CDs and has an FM/AM radio. Local radio stations are typical commercial ad factories. 

Sharp

Then the one local station that played a “greatest generation format” changed to a baby boomer, rock  format… adios FM… So I tried out a Grace Digital Wireless Internet Radio and listened for a while to Pandora. That provided access to the kind of music they like but still output to the Sharp unit. We lived with that for perhaps a year or so but I knew I could now do much better and I wanted to give them just a taste of how good audio can be.

So piece by piece, I’ve gradually assembled another modest system of much higher fidelity. Circumstance dictates that it be a nearfield system with decidedly less than optimum listening positions but soundstage is not a concern for my non-audiophile parents. 

The first source is a BlueSound Node 2 Music Streamer.  NODE2_WHT_Front-1620x1080audiostream-greatest-bits

Besides its NAS and 24/192 file capability, built in hardware decodes and renders Tidal’s MQA streams, which IMO brings streaming much closer to audiophile territory. While also eliminating the need for them to invest in an expensive private library of hi-res files. The Android app works well.

Note: trying to access Tidal streams through a computer was semi-successful. Too many dropouts and incessant buffering, especially with MQA software rendering through a Meridian Explorer2 unit. YMMV. The BlueSound unit has totally eliminated that problem.

The other source is a Sony UHPH1 DVD/CD/SACD Player.  A What HiFi? 2016 ~ 5 Star Award Winner – At a modest cost, Sony prioritized sound fidelity. 

Sony UHPH1 Premium Audio and Video Player

Both units feed into a Rega Brio Integrated Amplifier that is all about tonality

REGA BRIO17

What HiFi? 2017 ~ 5 Star Award WinnerHiFi Editor’s Choiceear: best buy 

Stereophile: The Rega Brio didn’t wow me, but it charmed and made musical love to me, album after album. A brilliant music maker with big tone, big beat, and big ambitions. It lets me… simply be one with my music. 

The Rega Brio then sends the signal out to a pair of… 

Wharfedale 80th Anniversary Denton Bookshelf Speakers  – FR of 44Hz – 24kHz (±3dB 

AWFDENTONW

These are immensely likable. Their relaxed yet engaging sound has a lot of appeal.” 

Private review:For the price, they are indeed an absolute steal. I just came from a session at a friend’s house and we compared them against a pair of Spendor S3/5 monitors and Harbeth Monitor 30s and they held their own and then some. Midrange was very close in quality and refinement to the Monitor 30s.

Compared to the Dentons, the Spendors had a little more finesse in the tweeter section and slightly better bass definition, though not the bass extension or weight of the Wharfedales. The Dentons put out a shocking amount of bass for their size. The Spendors had subtle grain and a plastic quality to the midrange whereas the Wharfedales were rich, alluring, full, and buttery smooth by comparison. For a pair of speakers known for their midrange such as the Spendor S3/5 to be clearly bettered in that department by a $500* pair of Wharfedales is some high praise for the Dentons. The Harbeths added just a bit more refinement, smoothness and control, had fuller bass, and generally sounded bigger and more sophisticated, which you would expect at six times the price. But none of these differences were dramatic. All three pairs of speakers sounded more similar than they did different. In terms of tonal and high frequency balance, all 3 speakers were remarkably similar and none were brighter or more top heavy than the other. All are very tastefully voiced and a joy to listen to… I think the title “poor man’s Harbeths” is most appropriate for the Wharfedale Denton 80th Anniversary speakers.” *Original MSRP $799.00

—————————————————————————————————————————–

The bottom octaves are handled by a Quad LF-66 subwoofer. DUAL side-firing 6.5 inch Tri-Laminate cones, Sealed Enclosure, 200W RMS / 400W Peak, 110db peak. Quad LF-66

There’s a solidity and control to bass notes that makes transient effects sound tight, nimble and realistic.” 

Here, I’m not looking for subterranean bass. Rather, I wanted to get in-room response down into the low 30s. Satisfactorily reproducing low bass notes from an acoustic Double Bass String Instrument was the goal. The Quad gives me the “solidity and control to bass notes that makes transient effects sound tight, nimble and realistic.”

Accessories:

I didn’t stop there however as IMO, to get the best out of equipment requires accessories that match up well with the quality of the gear being used.

I’m using two RCA interconnects: the Node 2 connects to the Brio with a Decware Silver Reference Interconnect Cable; “A Pure UN-insulated SILVER Ribbon with an organic beeswax core protected inside a polyefelin air jacket and terminated with top quality silver connectors.”

The Sony SACD player is connected to the Rega Brio Amp with a Wireworld Solstice 7 RCA Interconnect Cable.

I’ve then connected the Brio to the Denton bookshelves with Duelund Wire 16awg (DCA16GA) Tin Plated Hook-up Wire

Dueland clearly recognizes exceptional fidelity, as they are widely acknowledged to make the very best capacitors.  “DCA16GA – A wire originally born of the desire to improve upon legendary vintage cabling. Tinned copper multi-strand wire in a cotton and oil dielectricum – among enthusiasts recognized as the go to wire for “REAL” sound.”  This post prompted me to try them as speaker wire. (note: I’m very happy with them)

Note: My parents are in their 90s and today’s ruthless neutrality just doesn’t fit their perception of how music ‘should’ sound. So I went for a little bit of “vintage sound” here, i.e. modern clarity with just a bit of romantic coloration. 

But wait! There’s more…  it has to look appealing to non-audiophiles, with every part contributing to the fidelity by eliminating sound muddying vibrations.

Here’s a ‘drawing’ of the system and the custom equipment rack and speaker supports I’ve created placed upon their Credenza. 

RegaDentonBluSound

The equipment rack’s configuration:

First; fishing rod handle cork ‘sandwiches’ ($11.40 for 12) 

reverse-stacked-burl-cork-rings_media-1.jpg
Reverse Stacked Burl Cork Rings

The Rega integrated amp gets the first set of rings, adding a bit more height for air flow and vibratory isolation from the credenza.

Over the amp is placed a metal stand, which supports the SACD player and Streamer. Heat rising from the amp exits through the stand’s holes preventing the amp from overheating. 

metal stand
Sturdy, Stable Black Metal

On top of the metal rack, at each corner is placed one of H.A.L.’s Soft Fat Dots

bigfatdb

with a ½” thick solid bamboo platform resting atop the Fat Dots. The ‘Fat Dots’ raise the bamboo board off the metal platform allowing the amp’s heat to continue to dissipate, while also keeping the heat off of the SACD player. They also fulfill their intended use; absorbing micro-vibrations transmitted through the bamboo platform. The Sony SACD player is supported on top of the bamboo platform with more of H.A.L.’s Soft Fat Dots, which absorb micro-vibrations from the Sony player. Finally, more H.A.L.’s Soft Fat Dots support another bamboo platform on top of the SACD player. On that platform are set H.A.L.’s ‘Baby Bootie’ feet upon which rests the Bluesound Streamer. Again, the purpose is to absorb any micro-vibrations from the gear.

This arrangement results in a superbly isolated, supported arrangement that absorbs micro-vibrations from the equipment and, does so in a cost-effective manner. Since either the Sony or the Bluesound is turned off when the other is being used and they are isolated from each other with the platforms and absorbent dots/feet… no additional supports are needed to isolate them from each other. That completes the arrangement of equipment on the rack. Simple, clean, inexpensive and most of all, effective.

The Denton Bookshelf Speaker ‘stands’ are next… as the speakers needed to be raised to ear level and isolated from the credenza.

Order of arrangement: Speaker -> three solid brass points -> Mapleshade 2” thick air-dried Maple platform (cut in half & finished) -> sits on four Reverse Stacked Burl Cork Rings (per spkr) which in turn rest upon four H.A.L. Big Fat Dots per speaker. 

So… attached to the bottom of the speakers are three solid brass points using Scotch Removable Poster Tape. The brass feet drain vibrations from the speakers down into the Mapleshade 2” thick platforms, that sit upon four Reverse Stacked Burl Cork Rings, which in turn rest upon four of HAL.’s Big Fat Dots. The Fat Dots absorb vibrations drained into the maple board. The dots “firm yet loosely cross-linked material is formulated specifically for blocking mechanical soundwave energies. Their wide footprint gets a good grip and provides excellent lateral stability. Each Fat Dot supports and isolates from five to more than 200 pounds* (90kg).” *dependent upon thickness & size…

Of course this system is far more expensive than the Sharp it replaced but as audiophile systems go… it was IMO, a fairly modest outlay for this level of fidelity. Especially as I got most of the (all new) gear at significantly reduced prices from authorized dealers 😉 Demonstrating that those of us on a limited budget can build up a fine system that provides more than acceptable fidelity.

This arrangement gives me a modernized “vintage” sound. It has superb tonality and fine low-level resolution with a ‘rounded palpability’ to the sound. It provides clean reproduction of micro and macro dynamics. Again, the soundstage is admittedly constrained by the nearfield setup and listening positions. But as I previously mentioned that’s not a concern for my non-audiophile parents, who otherwise are thrilled with the fidelity. When all is said and done, that’s really all that matters. 

Cost:

Equipment: MSRP: $3,400.00 – actual cost: $2,400.00

Accessories: approx. $500.00 

 

The Journey Begins

Thanks for joining me!

         Good company in a journey makes the way seem shorter. — Izaak Walton

Fishing Yampa River State Park.CO

Bucket List of Rivers to Fish:

Umpqua_River_Douglas_County_Oregon
Umpqua River, OR 

Umpqua falls
Umpqua Falls, OR

Williamson River, OR1
Williamson River, OR

Williamson River, OR
Williamson River, OR

wood river - or
Wood River, OR

Fly fishing on the Fall River. Oregon
Fly Fishing on the Fall River, OR – √

fall-river-05-large-07.31.11
Fall River, OR – √

deschutes_river_at_sunriverDeschutes River, Oregon  – √ 

metolius-river-wizard-falls-bridge-5-9-2011-25-copyMetolius River, Oregon – √ 

King's River_CAKing’s River, King’s Canyon, California – √  

Duke's Creek_GADuke’s Creek, Georgia – √ 

armstrong spring creek, MTArmstrong Spring Creek. MT  

Green River_Utah  Green River, Utah 

Henry's fork, IDHenry’s Fork, ID

San Juan River, NMSan Juan River, NM 

Bucket List of Lakes to Fish: 

Hosmer lake-mt-bachelor_newHosmer Lake, Oregon ~ Brook Trout and Landlocked Atlantic Salmon! 

Craine Prairie_ORCrane Prairie Lake/Reservoir, Oregon

Lake_Istokpoga_FLLake Istokpoga, Florida ~ Big Bass & Good-eating Crappie